...and the fact you have to run it through analytical software just to spot the difference...
To be fair, I still used my EARS to spot the difference
(and a good pair of Sennheisers) ... all the software was doing was letting me line two WAVs up beside each other and flip between them.
I certainly have some sympathy for where you're coming from with all this 'another year, another repackage' type releases.
My preference would be for John to get his entire catalogue well organised on all the online stores via a digital aggregator, so that all the bazillion extra tracks are in their proper context. E.g. he could release all his various singles as 'EPs' on iTunes et al, so for example you can buy "No-one Driving" and it has the four correct tracks and the right cover art (7" edit of No-one Driving, This City, Glimmer, Mr No), or an "Endlessly" EP that has the 6 or 7 odd tracks and mixes associated with those singles. Then the catalogue would make more sense and you'd get more of the lovely artwork.
At the moment, you have to wade through about 9 different CD releases, pieceing together all the bonus tracks yourself and trying to work out "is this the same version of He's A Liquid that's on the 3rd re-issue of Metamatic? Or is this one only on Glimmer? Or Metatronic? Or...?" etc etc
Another thing I would love would be for John to release stems of the multi-tracks of Metamatic so we could play with it ourselves! I'd LOVE to buy that!