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#35099 12/14/08 09:45 AM
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Excellent thanks - one or two bits clarified for me too. cool

So now we just need to establish the two lyrics from the London performances


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#35100 12/14/08 12:00 PM
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I'll have a go at the "Echoes of Pleasure" version later on and let you know what I come up with.

Are we happy with the Boston Paradise Theatre version? I haven't checked that yet but have a very, very clear version in stereo direct from the original reel-to-reel (No adverts!!!)

#35101 12/14/08 12:52 PM
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Quote:
Originally posted by lieutenant030:
I'll have a go at the "Echoes of Pleasure" version later on and let you know what I come up with.
Which one is that??


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#35102 12/14/08 02:40 PM
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Echoes of Pleasure was the triple Japanese vinyl Bootleg containing 3 sides of FoxxVox 26/12/78 @ The Marquee - and 3 sides of UreVox Dec 1980.

#35103 12/14/08 03:35 PM
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Thanks for clearing that up. I've got this boot on a CD then, and its the one I've had a go at transcribing, and posted above.
never heard it refered to as "Echoes of Pleasure" before...

Look forward to your interpretation.


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#35104 12/14/08 07:16 PM
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I don't wanna go too off topic but 'Echoes of Pleasure' was a bootleg that I first came across at a record fair in Russell Square, London around 1983.

Boots at the time were something like £10 for a single LP, £15 for a double so you can imagine that only being 15 yrs old, Echoes of Pleasure was slightly beyond my reach.

I can't imagine there were many produced as boots in the early 80's were very ltd affairs, maybe 250-500 max.

About 10 years later a collector from Brighton (can't remember his name... but sounded French) had a mint copy up for sale in Record Collector so I thought as I've only ever seen this once what the heck... and I got it. Paid for the privilege tho'.

So anyone who has this on CD, the original source is more than likely the vinyl boot from 1981.

I supplied pictures of the cover (front and back)to the Japanese site 'Ultravox Station' a few years ago, see here for track listing...
http://jage.jp/ultravox/disco/Discography_UV_MU_Boot.html#EchoesOfPleasure

#35105 12/14/08 07:38 PM
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Wondering off topic again.

On side D of the boot (the 1980 urevox one) track 1 is listed as Theme'80.

Never heard of a Urevox track called that confused

#35106 12/14/08 08:43 PM
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Theme 80 is the bootlegger's title for the 1 minute intro before the band launch into the 1st song. It's an instrumental rhythm piece reminiscent of elements of The Quiet Men... which funnily enough is the next track.

Is it worth starting up an Echoes of Pleasure thread to discuss?

#35107 12/27/08 09:35 PM
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This version of He's a Liquid '79 is from the February 25 gig at the Atlantis Club, Washington DC... Bit's in brackets I'm not sure about. Note there are no aaahs or ooohs in between the verses on this version.

He’s an angle
She’s a tangent
He’s a clatter on next door's floor
He takes it all too far
And he wishes it (bizarre)
He's a liquid

He pulls,
She push
He's a trickle down a falling wall
He says "Hey what's the (difference. It's too late)"
He's a liquid

She's elusive,
He's adhesive
He's a milky white shirt and tie
In his viscose clothes his watch hand glows, he’s a liquid

He smiles
She chats
He's so brash, she's a laugh, he's a (?)
He's a rinky-dink & it makes you think
He’s a liquid

They're going up
[Instrumental break]

He’s an angle
She’s a tangent
He's a sticky white shirt & tie
In those viscose clothes his watch hand glows, he’s a liquid.

He smiles
She takes a chance
He ripples down the falling wall
They read the bible
He takes a chance (too far)
He's a liquid

#35108 01/01/09 06:50 AM
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Not sure if this is negative or positive - there are several trains of thought that lead both ways! Anyway, listening to this clip several times, the inevitable split of the original Ultravox sounds so imminent. By this I mean that the song is a bit incoherent, and just being played by the wrong people. I say this as both a JF and Ultravox fan - I think the other members were clearly playing something that they did not feel comfortable with. Compare it to other songs from that period and maybe you can get the gist of what I'm trying to say.

Positive, as the true potential of the material was eventually realised in a succesful solo career, but negative because SOR is probably my favorite album and I want to hear the sequel!! One more album would have been great, but in this one track I can hear things falling apart.

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