Originally posted by RadioBeach:
Originally posted by core memory:
[b]Ulrich Schnauss: A Strangely Isolated Place
It's taken me a while to warm to Schnauss - but I'm getting there. Of the two albums of his I have A Strangely Isolated Place and Goodbye, Goodbye is the favourite. After I hear him though, I have to go and play the real deal - so Loveless gets blasted out! [/b] Goodbye is firmly my fav’ out of the three of his albums I have. Hey, just when is the remastered
Loveless CD ever going to appear, its two years overdue for heavens sake!
Since yesterday I’ve been heavily back on the drone and minimalist path with:
Celer:
Discourses Of The withered, and
Engaged Touches, and, Windy & Carl:
Depths.
Prior to this I’ve spent all last week listening to two albums by our Kate, such is the suggestive power of this forum and its members that Miss Bush has hardly been out of my ears! except for Friday when I found myself listening to Miles Davis:
In A Silent Way, which seemed to return me back to listening to minimalist electronica, now how did that happen
The Kick Inside, and
The Red Shoes, two Kate Bush albums I’ve never owned, the former I already knew most of, and the latter I’ve only ever heard two of its singles, so it was off to Fopp to get these. With
The Kick Inside I can see Birdsongs point in describing it as ‘the definitive KB album’, her theme’s are so fundamentally there from the start, some of the ‘rockier’ numbers don’t appeal to me, but the album is peppered with plenty of her unique haunting lyrical sound and singing.
I really loved
The Red Shoes single back in the past, so, ignoring all the fuss and criticism about this album from it's time, ‘Kate does pop’, so what, I thought, she’ll probably do it very well, I was looking forward to finally getting to hear it, expecting it all to be a Celtic thumping fairytale extravaganza in the style of the title track, you know, music like only Kate can do, but I was disappointed.
There’s four tracks I do like, but it's more like an album from a MOR chart artist, and this is not for me a
Kate Bush album. I know it has many fans, and I hate to join a chorus of disapproval, but in quite a strange way I was feeling my disappointment 17 years later, a very odd experience, it really affected me! I was so down I had to turn to Miles Davis for comfort