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Originally posted by the church puddle:
Tom Waits "Alice" - beautiful and great fun, sometimes at the same time. I must locate the demos disc (which was "available" before the official version).
Hear, hear!

Good to know there are more Tom Waits fans here. cool


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A Sunday morning of cleaning up at home :rolleyes: ,
so to ease those chores its been a full on sensory musical lift with two Niyaz albums:

Niyaz, and Nine Heavens.

Just the right mix of acoustic and electronica, Niyaz are neither new-age slick or overtly ethnic and are far removed from those pit-falls, being balanced between Iranian/Indian instrumentation and European Dance Beats with the fantastic singing of Azam Ali’s mystical voice sweeping you along throughout the music.

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John Foxx & Louis Gordon - From Trash


Just bought this from ebay & the first thing I noticed was that A Million Cars is on this cd. Downloaded a similar version the other day which is from the soon to be re-released Impossible album. Other tracks on Impossible come from From Trash & Crash & Burn. Is Impossible a sort of compilation album?

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Quote:
Originally posted by Scott:
Is Impossible a sort of compilation album?
Not really, Scott. It's a live-in-the-studio album, with some alternative arrangements and deliberately left a bit rough around the edges. And weighted in favour of John and Louis's more recent work.

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Brian Eno - 'Before & After Science'

Killing Joke - 'What's This For?'

Depeche Mode - 'Songs Of Faith & Devotion'

Mick Karn - 'The Concrete Twin'

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Quote:
Originally posted by Scott:
Is Impossible a sort of compilation album?
Scott: a handy description from JohnFoxx myspace:

Quote:
The album also includes two exclusive tracks - ‘Adult Concerns’ and ‘Walk This Way’ - plus ten versions of previously released material. Some of these re-workings are completely new arrangements, others are closer to the live versions.

There’s a raw, analogue, fractured, aggressive style to the material - the closest in sound is 2003’s Crash & Burn but it’s heavier than that album, featuring ‘rusty metallic synths’ and ’shredded’ vocals, as one listener noted. William Burroughs, Guillermo Del Toro's surreal imagary and the strobe-lit, London techno-punk of early Ultravox! are also reference points.

Like an extended John Peel session, the tracks were recorded fast, in the heat of the moment . .

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The Moog/ARP Odessey face-off that is The Pleasure Principle: 30th Anniversary Edition - a really nice demo version of Conversations on Disc 2 is getting the 'play it all back' treatment.

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Quote:
Originally posted by RadioBeach:
The Moog/ARP Odyssey face-off that is The Pleasure Principle: 30th Anniversary Edition
On ‘principle’ I’m saving that ‘pleasure’ of the 30th Anniversary hearing for myself, till much nearer the time of Gary’s tour in the dark cold month of November smile

It’s a different kind of Moog Odyssey for me today, one of the prog Wakeman/Anderson kind with Yes: Close To The Edge

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A Secret Life

Runaway leader in the 'Foxx album of the year' chart

Track 2 is particularly wonderful cool


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Quote:
Originally posted by Birdsong:
[b]A Secret Life

Runaway leader in the 'Foxx album of the year' chart
[/b]
ha! we'll see about that good sir! "Best 2009 Foxx album" end of year survey anyone?

To mark the two year (!) anniversary of the live Metamatic, listening to "A New Kind of Man" this morning.

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