At the moment, I can't place The Beautiful Ghost - pretty sure it features on another album under a different title.
Can't comment on that yet as I haven't heard the track, but have you also noticed track 10 is called IMAGINARY MUSIC...?
This title first came to my attention as far back as 2005 when John referred to it as one of two albums he was working on, the second of which we now know as Tiny Colour Movies.
For many years Foxx has dipped in and out of a body of work that has gone under various working titles, including
Imaginary Music, Urban Motets, Grey Suit Music and
Overgrown London. Some of this we also know as
My Lost City.I wonder if this new album is a realisation of some of those ideas and pieces?
I noticed that too about Imaginary Music - but the internet remembered it better than I did.
I'll come to the good parts (so far) in a minute but first I would say it is slightly disappointing to hear several tracks that have already been released returning with alternative titles. Tracks 2, 3 and 7 if I am not mistaken. Is it possible John forgot he had already released them? Or are they very slightly different versions? Once you add City of Mirage from earlier, well it becomes a 6 track playlist for me, an extended EP. Happy of course for John to compile in this way if it supports a revised vision of his but it would have been nice in a ideal world to signpost this to prospective buyers. Hopefully this release will become yet another favourite recording but I am sorry to say that the old tracks will almost certainly be excluded from the playlist I create.
Ok, the good stuff. Oceanic II is quite different from Oceanic to my ears, not just in length but in mood - more subdued, as if even the Quiet Man becomes too familiar with his surroundings after 10 years and feels the loneliness or even a futility? "Another time is another place" or however he put it. It sets us off on a familiar journey but the old path has disappeared. The weather has changed. The vegetation is becoming threatening. The remaining (new) tracks are also quite subdued and sparse and have less of a widescreen quality - much more focussed on individual buildings perhaps, or the melancholy of other times. Perhaps this is why The Beautiful Ghost has been included (it is on the original Cathedral Oceans, now 18 years dispersed as seed)?
Imaginary Music is the highlight of the new pieces - it seems to veer and shift and escape a firm hold.
The artwork is gorgeous, can't fault that at all. I actually prefer the front cover of the booklet - maybe I will transfer the whole package to a jewel case instead? It is also a slight shame the wonderful text of London Overgrown could not be included in the booklet - but at least we have it, at least we have it.