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MemberD #46297 06/07/13 02:05 PM
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Originally Posted By: MemberD

Don't forget the change in producer which differentiates the 1982 and 1983 versions, and which is fairly fundamental to the sound.

Musicians: am I right in saying that the 1982 has no proper 'bass' to speak of?


Yeah, although it's the same multi-recording - what Zeus "B" Held appears to have mostly done is dubbed on a "rollicking" new Simmonds-tastic drum track, sequenced bass and arpeggiator squirrelism.

And yeah, the 1982 original doesn't really have a dedicated bass instrument - for most of the track, John's just making use of the fact that his clumpy-bumpy drum-machine-loop has bucketloads of bottom end (Prince's "Kiss" did a similar thing a year or two later) plus he has a acoustic rhythm guitar chugging away behind everything - and then later on, of course, there's the cello-style melodic riff which goes down pretty bassy too ... so all in all I think it's a sensible production decision on John's part not to have some extra boring bland bass synth puttering along under all that. It would only clutter things.

feline1 #46393 06/25/13 06:46 AM
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Last edited by MemberD; 06/25/13 06:47 AM.
feline1 #46394 06/25/13 09:14 AM
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Originally Posted By: feline1
Originally Posted By: MemberD

Don't forget the change in producer which differentiates the 1982 and 1983 versions, and which is fairly fundamental to the sound.

Musicians: am I right in saying that the 1982 has no proper 'bass' to speak of?


Yeah, although it's the same multi-recording - what Zeus "B" Held appears to have mostly done is dubbed on a "rollicking" new Simmonds-tastic drum track, sequenced bass and arpeggiator squirrelism.

And yeah, the 1982 original doesn't really have a dedicated bass instrument - for most of the track, John's just making use of the fact that his clumpy-bumpy drum-machine-loop has bucketloads of bottom end (Prince's "Kiss" did a similar thing a year or two later) plus he has a acoustic rhythm guitar chugging away behind everything - and then later on, of course, there's the cello-style melodic riff which goes down pretty bassy too ... so all in all I think it's a sensible production decision on John's part not to have some extra boring bland bass synth puttering along under all that. It would only clutter things.


I never realised that the 1983 Endlessly is the same multitrack as the 1982 one; I always thought it was completely rerecorded. John's vocals seem a lot clearer and strident on the 1983 version(s); are they rerecorded or has Zeus B Held simply mixed them higher and added a touch of compression? And I always thought the 1983 version was faster, though this might be an illusion due to the driving Simmons-tastic drums.

For all that, time has not been kind to the 1983 versions; the drums and digital synths now sound horrendously dated whereas the 1982 version just sounds kind of timeless; no-one (not even John) has done anything like it since!

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Originally Posted By: Herbert the turbot
Originally Posted By: feline1
Originally Posted By: MemberD

Don't forget the change in producer which differentiates the 1982 and 1983 versions, and which is fairly fundamental to the sound.

Musicians: am I right in saying that the 1982 has no proper 'bass' to speak of?


Yeah, although it's the same multi-recording - what Zeus "B" Held appears to have mostly done is dubbed on a "rollicking" new Simmonds-tastic drum track, sequenced bass and arpeggiator squirrelism.

And yeah, the 1982 original doesn't really have a dedicated bass instrument - for most of the track, John's just making use of the fact that his clumpy-bumpy drum-machine-loop has bucketloads of bottom end (Prince's "Kiss" did a similar thing a year or two later) plus he has a acoustic rhythm guitar chugging away behind everything - and then later on, of course, there's the cello-style melodic riff which goes down pretty bassy too ... so all in all I think it's a sensible production decision on John's part not to have some extra boring bland bass synth puttering along under all that. It would only clutter things.


I never realised that the 1983 Endlessly is the same multitrack as the 1982 one; I always thought it was completely rerecorded. John's vocals seem a lot clearer and strident on the 1983 version(s); are they rerecorded or has Zeus B Held simply mixed them higher and added a touch of compression? And I always thought the 1983 version was faster, though this might be an illusion due to the driving Simmons-tastic drums.

For all that, time has not been kind to the 1983 versions; the drums and digital synths now sound horrendously dated whereas the 1982 version just sounds kind of timeless; no-one (not even John) has done anything like it since!


Hmm, ok, that's fair enough. Personally though I've always preferred the 1983 version - the sitar might be my bugbear on the 1982 version. Also I heard 1982 later which I'm sure contributes to my preference.

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Well for me it's the 'original' 82 version every time, along with the extended remix of that via The Golden Section 2 x CD release (Track 16)

It won't surprise anyone to say how much I love John's more psychedelic, left-field and overlooked 'other' music

Birdsong #46403 06/26/13 07:41 AM
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For me it's the 1983 versh beacause YOU CAN 80s DAD-DANCE TO IT! .. which was the whole point of re-recording right? ..getting it in -line with contemporary acts such as Wham!, Kajagoogoo and ... Bananarama!

MemberD #46409 06/26/13 09:11 AM
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I prefer the '83 version. Sure it has dated but I think the '82 version has as well. The drum machine doesn't sound good to me on the '82 version. Too simple. I think real drums on both versions would have worked better. I would like to see John Foxx & The Maths have a go at this live.

Your Shadow #46437 07/04/13 11:57 AM
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Originally Posted By: Your Shadow
I think real drums on both versions would have worked better.

The '82 extended version has real drums...

Nisei #46439 07/06/13 02:44 PM
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Of course. I forgot about that version. To me,it does sound better for them.

Your Shadow #46464 07/12/13 03:30 PM
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Someone on the Ultravox website forum was talking about the 6'22" version of Endlessly 1982. It's a shame this version hasn't been released onto CD as of yet. But since Rob hasn't heard of it before perhaps the tape got lost somehow?

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