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Quote:
Originally posted by RadioBeach:
Quote:
Originally posted by metal beat:
[b] I don't have a problem either with the Edsel releases.
I wonder whether there'll be a noticeable difference between the two releases.

Peter smile
Hi Peter,

My problem with the Edsel re-issues is that, not a lot of thought or care seemed to go into them - the artwork is seriously bad - look at that photo of John slapped on the back of the beautiful artwork IMW for example - sacrilige! wink . If you compare, the re-issue of Systems of Romance to TGS you'll see the attention to detail that went into SOR; correct type, correct era photo's etc. Sound-wise I understand that they're not that great either - taken from the mastertape and not the original multi-tracks (I wouldn't know as I refuse to buy them!)

Ultimately, I'm still wondering why John had little/if any involvement in the Edsel re-issues.

Garry [/b]
I'm totally with you with this one, Garry. IMW didn't deserve those photos. Totally out of place.

But what I want to know is, where's the rest of the 'topless' photo's for TGS? I was hoping for a bit more than just head and shoulders! LOL shocked Sorry, folks.

Sarah laugh

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Quote:
Originally posted by Harold Halloway:
Quote:
Originally posted by Birdsong:
[b] Nice work Craig!! cool

My only contribution to the vocal/instrumental debate would be to suggest that [b]"To Be With You" doesn't seem like a particularly Metamatic kind of title and is not innkeeping with the album's rather anti-personal theme.

Hence its relegation to the subs bench all those years ago I suppose...

Can't wait to hear it laugh [/b]
Quite. Without diving for the lyric sheet, I don't think there are any 'second person' references at all on Metamatic. Nice Freudian slip with 'innkeeping', btw! [/b]
There are a few in Plaza: "I remember your face from some shattered windscreen" and so on. It's not quite "To Be With You" Celine Dion territory, admittedly. wink

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Quote:
Originally posted by Harold Halloway:
Quote:
Originally posted by MemberD:
With the exception of [b]Touch and Go perhaps which uses 'we', always been a bit of a black sheep in the Metamatic family IMHO which is perhaps why it's sort of tagged on at the end. [/b]
Cough, splutter.... 'tagged on at the end????' but, but...

*implodes with indignation* [/QB]
I agree completely, Metamatic without Touch and Go is like a film without an ending. Although, having said that, a film without an ending sounds like a good thing?? Just to clarify, I love "Touch and Go" laugh

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Surely one of these was later covered by Prince and recorded as
"2B with U"... ?? eek


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