I don't know about destructing myself during the writing of that review, but I did make sure I kept one hand frmly on the handle of the mad/sane door…
I try to avoid directly comparing From Trash with Sideways, simply that the latter is, IMHO, better than the former.
In the same way, I think Sideways is also better than both C & B and TPOE.
Depends how you define 'better' I suppose.
I played it again today, and I was reminded (soundwise) of "Underwater Dream Sex" from The Drive EP which I think is very untypical (atypical?) of Crash and Burn. This track is one of my all time favourites - again it reinforces the point I made about his best stuff being the less obvious.
But I'm not being deliberately obtuse and liking stuff simply because its 'Over There'. Instead I recognise the artistic 'freedom' that B-sides and extra tracks afford when there is less at stake and fewer commercial expectations.
Can I suggest that this is a significant part of the reason most of us like John Foxx in the first place?
Look at the 'what music are you listening to thread'. Hardly Top 40 stuff is it?