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The Quiet Man > Cathedral Oceans [Book]
I can always enter here. The screen is a pool, like looking down into fragments of gold leaf stirred into water. Slowly swirling layers of antique light. First the Michelangelo layers of living figures and random architecture. Then the city eases through, absorbing me through my clothing. I walk again in the warmth of its air, light as blowing paper.

Soft breezes. Warm ancient stone of the buildings. Even the dust on the sandy streets carries a faint erotic charge. Constant reformation. Crumbling light. Dust of light and music seeking new structures. Restless but infinitely slow, so no-one would ever notice the intention of the dust as it lies in corners, gutters, windowsills. Hold it in my hand, soft silvery sand. Warm, dry, blows away in small spirals.
Hardly notice. Crowds go by. Your swirling faces. Losing me in faint architecture.
A gradual dissolving and resolving in endless series. Like echoes in a cathedral or the movement and structure of a tree in the fullness of Summer. Branching out, reforming and dispersing through myriad layers of shapes and shadows. Sending musical light across the dusty floor. Translating me into light again.

Emerge to drink coffee at the other end of the entrance hall, as if nothing had happened. Do it every day. Reassemble across the hallway. Keep going across the floor, to the favourite table. So dry that clothing starts to come apart after a few days. Shoes begin to resemble crumbly old cardboard and the nose bleeds inside.

The Englishman pads by, not acknowledging my presence. Feebly determined jut of the jaw. Pads onto the screen for many years. Scratched picture kept in the cream painted cupboard with the chalks and duster "Softly I go, pad."

Her face over the city of Lights. Moving through slums. Hollow houses. Gold leaf flaking from the icon. Rubbish piled and piled in the catacombs.

Face flickering. Slow motion, as if in a dream. The voice turning to music. The music that is always in those streets, barely audible, heartbreaking. If you try to focus, try to listen, it vanishes in the surrounding murmur. The voice slowly turning to music in a dream of slums delicate as fragments of gold leaf. Her face moving like a torch beam, a dim pool of light drifting over buildings. No-one else can see you, just me.

The streets open out into a piazza with a huge fountain at the centre. Worn marble figures tangled in the cascade. People talking, eating in the open-air restaurants. Just strolling.

A beam of light like a slow dream and the voice that becomes music. Dark against the wooden door. The alleyways of Rome and Venice will lead you here. Also certain paths by canals in industrial cities in England, and cobbled courtyards in Paris. You will get to know them. They will dissolve you here. Once you have the frequency, you will always return, always the visitor.

Through the empty mirror, a Victorian marketplace under a cold Lancashire sky. Walking alone in the swirl of your faces.

London vanishes in broken leaves. The weather moves gently through my suit and ripples of twilight hush spread. Raise a hand as if to wave. The cathedral's echo turning into morning light. Birds wings making fast flickering shadows. Shown on the maps as lights in torn paper. Tiny lights, barely visible against superimposed neon and headlights, among leaves blown into the corners, all blurring out of focus now.

Where do we go to like mist through eroded mirrors. Our Lady of the Endless Stairway. Fog Madonna. Transparent in light, moving over ancient stone, dry and crumbling, dissolving away into time.
The city is always shifting, realigning itself. It is memory. There are cities which exist only as fragments in other places, scattered among other cities. You grow to recognise their properties as being distinct from their surroundings. You hold the old maps in your head. You see the new streets through them, through shifting layers of memory.

As I walk the same streets over the years, I begin to detect where time operates in a slightly different way, begin to feel where the pools and currents and tiny edges of time are leaking through. At some point everything leaks through into everything else. You can put your hand on the stone wall and feel the movement beneath.
This is simply the surface of things.
Spirals of dust on the street corner, glittering in the afternoon sun.

Vistas shifting. Feeling slightly seasick now. Someone composed entirely of angles comes near, making me vomit. Completely nauseating, disorientating. Don't know which way is up, sideways, down.
Eventually perspectives clear, fragments resolve into pictures of angels on sunlit walls. Blue flowers in big clay pots. Cool shade of grapevines over the cobbled courtyard. Narrow stone stairway open to the solid blue sky.

He goes up to his room. The steps are worn, hollow, reddish stone. Old aspidistras with glossy, cracked leaves. The rooms are small. Red stone walls, no window frame, just an aperture over the alleyways. Pleasant somehow, this warm place. Bottles of wine, wooden chairs, some books. Laughter lost in the noise from the big fountains in the square. No matter how often I walked there, every time I crossed the square, I felt as if I were embarking on some grand adventure and wanted everyone to share it - so I could see it through their eyes sometimes, to share the memories and talk about it years later. I like to hear the stories carved, then slowly become polished into perfect antiquities.
Bring them out after a few drinks, get the twists and turns pretty as a Chippendale, eventually.

The Smoke turning to years. A waltz through all the cities. Filling the cathedral with fog and flowers and visions all warm and moving to where I am no longer. The hand that holds the door is fainter. Feathers on the floor. The invisible kiss and lipstick tasting of 1970. Aswirl in the wide sky. Train stopping. Burrowing down again into layers of sunken streets, crowded parks and markets. Strata blurred and busy.

Through this city you move along wide ruined avenues, passing through the honeycomb of walls and rooms effortlessly, as in a dream. Down long corridors hung with chandeliers, through tall rooms, over stone bridges spanning the waterways.

A drifter. Just passing through. Hold my hand. We will go through the walls like shadows. Down the endless stairway reflecting in decaying mirrors like smoke among sunbeams. Traces of us in fragments of light swirling in the streets.

The walls are flaking under the slow pressure of sunlight. We have become the hidden frequency of the rooms, humming all the intimate tidal harmonies of these places.

I am your voice in that moment, years ago. Look down among the roses in the garden. As my hands lose focus, shimmer for a moment in the sunlight, become smoke pierced by light through the leaves. Something escapes like a sigh as we disperse. Translating me into light again.
The garden becomes overgrown. I am in the leaves and walls. Inside the dry fountain. Very faint now, like music far away and fading across the twilight.
Can you hear me? You swirl slowly in flakes of gold through the red light of sunsets, a glinting parade. The soft roaring of light in my head. I will wait here for you in these gardens, the lake, the houses. Moving with the dappled shadows, breathing with the breeze. Where no-one knows. The glimmer of his reflection moved in a gilt frame near the window. Dusk falling over the square with its trees and fountain below.

He could see the priest crossing the far corner of the square, going towards the steps to the marketplace. The sea glinted behind the rooftops. A small ship on the horizon sailing between other worlds.
Music and dreams stained into the surface of the ancient stone. A breeze blew leaves and the scent of the sea.
He felt himself dissolving again. The gentle confusion. That old Empire way. He looked down at his hands. Vague, indistinct. One glance at the view again. A silent farewell...

The room going dim... Just speckles of light now... Swimming to some far place... Tiny glimmers, winking out... His face merged with the dusk, the horizon... Slowly, slowly Angel assembling. Moving in some lost music. Hands on the trees. The river not far away. Bridges across it through the old lost gardens, the cracked walls. Dome of the cathedral under long streams of foliage in the quiet of dawn.

Revolving point of view. Around the silent walls. Frequencies of the walls shifting across each other. Veils of cascade. The movement of small wings interrupting diffused sunlight. Some undefined sadness. We cannot remain here. This is a place to visit when you are not so lost, but you will remember it in glimpses. The Angel's voice falls through rooms and stairways.

The lakes moving in time to the sea. Faint violet blue of a clear sky. Shadow on the lips. Moving slowly towards some other shifting place.

Becoming clearer now, as I drink this cup of coffee. Slowly moving away from me. Some transfiguration lost from me in newspapers blowing on the pavement.

A state of grace. The words appear like broken gold. Merging with the dark sea. Washed away in liquid shadows. Worn by the rain, blurred under layers of carelessness, of chatter, of neglect. Things left in other rooms. A fragment at a time, imperceptibly eroded, lost. A jumble of indecipherable words and instructions falling through my fingers. Silted remains.

Gazing at the rubbish floating by under the bridge. Churning and glinting. Who can separate what is precious and good from this endless stream. He knew that the Angel had gone for a while because confusion was closing in. Tides moved under the streets. In the walls. Through his hands.

Swift transition of time and place...

Reassemble through Autumn leaves and slow music. I have become only reverberation. Minute spiralling reflections travelling out over white flowers glowing in late sunlight.

Dark storm clouds in the distance, though I know that they will pass without breaking. Lightning flickers against the grey. The fields are luminous, thunder green. I am only echoes, musical tingles going through a city. The City of Sighs.
Walls of Roman red, a thousand years of flaking colour washed plaster. Dusty paths, vineyards, warm ochre walls. Layers of memory. Dust Madonna. Our lady of decaying Mirrors. I am only footsteps, and smoke held in a network of trees.
A mist of voices. Vapour choir. Through the city mixed with worn streets and crumbling archways, fires glimmering in the twilight. Entering into the endless cathedral. Wall of Angels. Wall of Lilies. Wall of tiny candle flames. Stained glass sunset. A tumble of streets at the edge merging into the garden.

The Guardian Angel. Long ago his hand touched my sleeping eyes. A child in those lost Lancashire streets. Coal gas and broken glass glinting in the dirty cobblestones. His hand touched my eyes when I was asleep. Trains shunting in the sidings across the allotments. Dreams of huge perspective I did not understand. Glorious light on the fields.

He was in the market crowds, wearing a shabby brown suit. Trying to find me through all the cities. My ghost coming home. How do you get home through all the years? No passport, no photo possible. No resemblance to anyone living or dead. Tenderly peering into the windows. Sleeping in cheap lodging houses. A ghost with leaves in his pocket and no address. The good face half blind. A nebula of songs and memories slipping in and out of focus. Someone told me he was there but it didn't register at the time.
The voices came unfocussed from all around. Still and quiet like the shadows of an ocean in the moving trees.

Waving now and turning away. Flowers closing. Sunsets dissolving across a thousand years. The moon coming apart in my hands, the hands thin as air. Vapour now across thousands of miles. Certain frequencies of mist and perfume and old stone. Faces dissolving in gathering music. Slowly filtering down the galleries, blurring words and motion. Take my time. The time it takes. Where to now? Choir of millions singing gently in sleep. An ocean. Millions of dreams in tiny sparks. Honeycombs of rooms in the cities. Just a swimmer. Growing dimmer. In the glimmer. Of a Summer.
I have just returned. Sometimes it seems as if only part of me is here. A feeling of dispersal.
Glimpses from other angles. Other locations. The city is always shifting, realigning itself. It is memory.

I constantly feel a distant kind of longing. The longest song, the song of longing.
Walk the same streets like a fading ghost. Flickering grey suit. The same avenues, squares, parks, collonades. Like a ghost. Over the years I find places I can go through, some process of recognition. Remnants of other, almost forgotten places. Always returning.

I can detect tiny edges of time leaking through. I feel nothing is completely separate. At some point everything leaks into everything else. The trick is in finding the places. They are slowly moving. Drifting. You can only do this accidentally. If you set out to do it deliberately you will always fail.

It is only when you remember. Only then will you realise that you caught a glimpse. While you were talking to someone, or thinking of something else. When your attention was diverted. Just a hint, a glimmer, a shade.

Much later, you will remember, without really knowing why. Vague peripheral sensations gather. Some fraction of a long rhythm is beginning to be recognised. The hidden frequencies and tides of the city. Geometry of coincidence. You will certainly find yourself passing that way again. Perhaps not for a long, long time.

Over the years, you gradually become aware of some slight differences in the light, the temperature, the way things feel, like a subtle change in the texture of a film. Faintly aware that time moves in a slightly different way there.

The city is a place of tides. Tides move down every street. Time does not move at a uniform rate here.

The relative speeds of various time pockets throughout the city, all moving and forming subtle currents around each other. Resembling an ocean, which looks uniform but is really composed of great currents, contraflows, minor undercurrents, warm and cool streams of different densities and temperatures, all swirling slowly or quickly, affecting each other at every boundary.

The shifting city, the drifting city. You will be changed by walking down this street. The angle of coincidence, of memory, will alter other memories, make other connections. This street will become other streets in time. It will lead to other streets in time. Some streets lead to other times.

You almost expect to see your father and mother aged 21 walking arm in arm towards you. Some are streets from your own life, which you have not walked yet. They will seem different when the time comes. You will not remember.

Endless. Revolving... You can not return. You will never walk down that street again. Another time is another place. Turn and wave. Someone almost there. Walking away now.

The streets lead into other streets where a glimpse of someone who is young will remind you that they must be many years older now. How did you miss them... How did you pass them by for so long... Where did all the time go...

Some places seem still, quiet. Islands. A few leaves fallen on the stone pavement. A trace of sunlit moss in a corner, an eroded line of memory, a bench, evergreen leaves.

You can place your hand on the stone wall softly, feel the humming beneath. This is simply the surface of things. It is shifting slowly all the time, its molecules are moving, it is a liquid.
You can push your hand through the surface, you can flow into it dispersing out. You can breathe the ocean.
It is composed of music, echoes that take many years to return, to reflect, to reverberate.
They never disappear. They fade, mingle, make a finer and finer web of refractions.
The movement gently, imperceptibly spins your skin away like candyfloss. Spinning skeins of you combine with the ocean over years, over miles, over tides and times, until you become part of the hidden frequency of the rooms, the streets.

It is a long slow waltz we are dancing down the cathedral. Turning into reverberation and roses and shimmering light. Just wait here for a little while. I will be back soon. Soft winds across the lake, rain falling on leaves a thousand miles away, years and years away, slow cascade of those empty places. Tides in the lakes move in time to the sea. Spirals of dust on the street corner, glittering in the afternoon sun. The cathedral nave leads off into streets, canals, restaurants, corridors, avenues, parks and arcades. A part of it is underwater now, a city beneath the ocean.

He was looking at a picture in a travel guide from 1954. The picture had the quality of an old Technicolor film still. As he examined it, the picture began to change. Its surface slowly fragmented, dissolved, until he could see through it.

Swift transition of time and place...

My hands are open... I am only eyes travelling over the overgrown streets... through the buildings... down stairways, arcades, squares, alleys, waterways... foggy, sunlit.

Rainy stars reflected in the speckled mirrors, down the hallways, under the ivy leaves. The taste of rust and rain and there is a cinema I can always step inside and see you moving, turning slowly in the old sunlight and I can melt through on the Saturday morning tides of light and I know that time is a great, shambling, many roomed, ramshackle structure. Tall, flaking, endlessly fragmenting.

Myriad avenues. Waterways deeper than I can swim. Warm, revolving and lost. The stairway leads on to bridges soaring across the river. Smoke on the horizon, blue and gold among the fog of trees. Everything is quiet and the dust on the streets and the stars are slowly flowing through each other.
As I walk the same streets over the years, I begin to detect the places where time operates in a slightly different way, begin to feel where pools and currents and tiny edges of time are leaking through. You gradually become aware of some slight differences in the light, the temperature, the way things feel, like a subtle change in the texture of a film.

The city is a place of tides. Tides move down every street. Time does not move at a uniform rate here.
The relative speeds of various time pockets throughout the city, all moving and forming subtle currents around each other. Resembling an ocean, which looks uniform but is really composed of great currents, contraflows, minor undercurrents, warm and cool streams of different densities and temperatures, all swirling slowly or quickly, affecting each other at every boundary.

You can place your hand on the stone wall, feel the movement beneath. This is simply the surface of things, it is shifting slowly all the time, its molecules are moving, it is a liquid.
You can push your hand through the surface, you can flow into it, dispersing out. You can breathe the ocean.

It is composed of music, echoes that take many years to return, to reflect, to reverberate.
They never disappear. They fade, mingle, make a finer and finer web of refractions.
The movement gently, imperceptibly spins your skin away like candyfloss. Spinning skeins of you combine with the ocean over years, over miles, over tides and times, until you become part of the hidden frequency of the rooms, the streets.
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