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Hi folks!

At 8.00pm last night, the lights went down in the Birmingham Symphony Hall, and on stage walked no other than David Sylvian, dressed in black and welcomed by an eager audience.

My first impressions were how youthful he looked, as did his drummer brother Steve Jansen. He smiled at the crowd, sat on his stool, picked up his guitar and he and his band launched into 'Wonderful World' from his album 'Snow Borne Sorrow'. David's unmistakeable deep and emotional voice filled the hall and I was captivated from the start. Alternating between electric and acoustic guitar (and even a megaphone for the intro of 'Snow Borne Sorrow') we were treated to tracks such as 'World Citizen (I Won't be Disappointed), 'Librarian', 'Fire in the Forest', 'Every Colour you Are' and 'The Day The Earth Stole Heaven'.

I wondered if he would perform any Japan material, and lo and behold, a disappointingly rearranged version of 'Ghosts' made an appearance. However, his vocal delivery seemed as effortless and flawless as ever, and he seemed very touched by the crowds constant appreciative responses, noticeable looking at his audience and smiling as he performed.

Two hours and two encores later, David and his band left the stage to a standing ovation, David walking forward to shake the hands of a few eager fans at the front of the stage.

The show kept a relaxed and jazzy pace throughout, which I thought maybe could have been temporarily uplifted by including a more upbeat track at some point during the set, but nevertheless, I thoroughly enjoyed the show, and could have easily sat and listened to David for another two hours!

I also had the pleasure of meeting the lovely Mr Ilektrik whilst at the gig, and I'm sure that he will give you his take on the concert at some point soon!

Sarah laugh

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Nice review, Sarah.

He is an interesting musician, and like John, no longer a mainstream artist but still with a growing 'cult' following.

I know little about his music - I only have 2 albums (Everything & Nothing and Camphor), but he does some very creative stuff.

Sounds brave of him to only do one Japan number - it's good that he has the guts to push on with the new rather than rely on older glories.

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Thanks, Alex.

laugh

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Many thanks for that Sarah!

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Thanks indeed Sarah, esp as I found out last night that I may not make it to any of the Italian gigs next week frown
Anyway if I do sounds as if I'll have to swot up a bit on "Snow Borne" !

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I always intended to find out more about his work. I first heard his solo stuff in an Our Price shop when they were playing the Dead bees On A cake album.

I bought Everything and Nothing on the strength of the album cover - I liked the dog's eyebrows.....

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Here's my quick Top 5 'recommended' list, if you're interested (excluding E+N of course):

1. Secrets of the Beehive
2. Brilliant Trees
3. Gone to Earth
4. Alchemy
5. Flux + Mutability


.. but I'm sure some will beg to differ.....

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Quote:
Originally posted by Alex S:

I bought Everything and Nothing on the strength of the album cover - I liked the dog's eyebrows.....
Yes indeed - they are very humourous! I absolutely love 'Jean the Birdman' from his collaboration with Robert Fripp.

Sarah laugh

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Jean the Birdman is one of my favourites on that CD along with Laughter and Forgetting and Bamboo Houses, which is fantastic!

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If you like 'Laughter..' you'll just lurve 'Gone to Earth'. Bamboo Houses / Music etc. belongs to that transition period post Japan, collaborating with Sakamoto-san etc. I don't think he ever did anything else quite like it as a solo artist.

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Ooh... thanks for the recommendation. I'll check that out!!

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..sorry, it's not 'Laughter' I like, but "Buoy".

Anyway I'm now listening to snippes of Gone to Earth on iTunes. Ah, the joys of the internet!

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Hi Sarah
Thank you for the interesting review. Sounds like you had a great night. Like Alex I'm not familiar with his music.

Peter smile

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For those of you who aren't familiar with David's work, I recommend that you check it out.

He has a stunning vocal, packed with emotion and has produced some very unusual tracks. Many of his songs, I feel, reflect some of the emotional upheavals that he has dealt with in his life.

Amazing artist. I am so glad that I was fortunate to see him perform on this current tour.

Sarah laugh

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Quote:
Originally posted by Alex S:
..sorry, it's not 'Laughter' I like, but "Buoy".
Anyway I'm now listening to snippes of Gone to Earth on iTunes. Ah, the joys of the internet!
Ah yes .. another good one .. I think it was a one of those 'one off' things with Mick Karn ..

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"buoy" is also my all time favorite "almost japan" song ! ;-)

mick's bass & david's vocals on it are jus' perfect ! :-)

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Saw David Sylvian last night at the symphony Hall in B'ham. Nice place
Symphony Hall & v. good acoustics. It was my first concert there & I was very impressed.

David & the band came on stage just after 8pm. The first thing that struck me about him is that he is a lot smaller than I expected him to be. I've always thought he was about 6ft tall, I don't know why.

A lot of the songs had a jazz feel to them which, in places, suited the newer songs, but did not suit the reworked versions of Ghosts, Every Colour You Are & Ride.

There was a huge void in Before The Bullfight - No BILL!! The space in the song was aching to be filled with his prescence. Theo Travis did his best ( bless him) but he is nowhere near as emotive as Bill is. Theo the musician does not equal Bill the Craftsman.

Speaking of Theo Travis ... This is the fourth time I have seen him 'live' & I'm not impressed with what he contributes to the music as a whole. He's an excellent musician who is clever enough at fitting himself into a piece of music & playing it well, but from my observations he doesn't appear to "feel" his way through the music, he just plays. I thought of Mick Karn's work with woodwind & brass arrangements quite a few times when Theo was doodling about, which are much more interesting.

The best song for me was Playground Martyrs. A Steve Jansen piece from his solo album. Amongst the conventional instrument arrangements was an amazing rhythm pattern of glitch samples & rippling bubbling radio static which sounded like there was something wrong with the P.A. system. It reminded me of the way I create my own music, but with Steve Jansen's music being a lot more subtle & sophisticated than my crude offerings. It twisted my head did Playground Martyrs!

Other highlights were Snow Borne Sorrow, The Day The Earth Stole Heaven & Wanderlust.

The tour book is a snip at £20. Stylish, artistic & a treasure to have. The Samadhi Sound sampler cd is fantastic. In particular the tracks Siren Song by Thomas Feiner & Anywhen, Templar by Harold Budd, & 1382 Wycliff Gen. ii 7 by Akira Rabelais. The song I'm not keen on is Heating & Cooling by David Toop - nothing new & nothing that I haven't heard before.

To sum up. It was a very sophisticated, very well controlled performance by all, which on post-performance reflection & putting my own current deep emotional state aside (I'm going through a inner morphological shedding at the moment)*, I thoroughly enjoyed the show & I look forward to adding to my Sylvian collection in the future. But am I that brave enough to buy Blemish?

Lovely to meet She Robot 74. Such lovely company & worshipper of all things Foxxy. Thanks Sarah.

*= I know what I mean.

Mark

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There's a torrent about of the Glasgow gig.

Not sure if I am allowed to post the link in here?

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Hi Mark

Great review - puts mine to shame!

See you at the ICA! smile

Sarah laugh

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